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Russian Film Symposium 2021

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New East Cinema Symposium 2022
Archives As New Artifacts

New East Cinema 2022

Archives as New Artifacts
Ukraine Screens Its Own Cinema (1929 - 2020)

  • Home
  • Schedule
  • Participants
  • Resources
    • Pitt’s Russian and East European Film Collection
    • Bibliography
  • Past Symposia
    • Symposium Artifacts
    • 2020 – current
      • 2021 Representation and the Reel
    • 2015 – 2019
      • 2019 Shadow Empire
      • 2018 A Spectre is Haunting Russia
      • 2017 Kino-Ivory
      • 2016 Recycle, Restate, Rewind
      • 2015 Red Empire Reloaded
    • 2010 – 2014
      • 2014 Gendering Genre
      • 2013 Re-Imagining Class: Recent Russian Cinema
      • 2012 Camp Cinema: Russian Style
      • 2011 Other Russias Russia’s Others
      • 2010 From Art-House to Cine-Plex
    • 2005 – 2009
      • 2009 The New Positive Hero
      • 2008 The Ideological Occult
      • 2007 Melodrama and Kino-Ideology
      • 2006 White Russian – Black Russian
      • 2005 Yellow House
    • 1999 – 2004
      • 2004 Prophets and Gain
      • 2003 Arrogance & Envy
      • 2002 Global Amnesia and Imperial Fatigue
      • 2001 Evropsk, Russia: Out of European Order
      • 2000 Nation, Fetish, Identity
      • 1999 New Russia New Cinema
Support the Dovzhenko Center (Kyiv)

Visual Artifact Archives

2019

2018

2017

2016

2015

2014

2013

2012

2011

2010

2009

2007

2006

2005

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The 2022 New East Cinema Symposium is brought to you in part by the generosity of the following sponsors:
University of Pittsburgh seal

Funding for the New East Cinema Symposium was provided by the A.W. Mellon Educational and Charitable Trust Fund of The Pittsburgh Foundation.

Additional funding was provided by The Office of the Dean, Arts and Sciences | Center for Russian, East European, and Eurasian Studies | The Humanities Center | University Center for International Studies | Department of Slavic Languages and Literatures | Film and Media Studies Program | Graduate Program for Cultural Studies.

On behalf of the organizers, participants, and everyone that the New East Cinema Symposium reaches we thank each of our sponsors for their support.

All content is © 1999 - 2022 New East Cinema Symposium unless otherwise noted. Still photographs, audio, or video clips are © their respective owners.

Website design by Orkoskey & Assoc.

Past Symposia

  • 2000
  • 2021
    • Participants
    • Schedule
  • 2019
    • 2019 Artifacts
    • 2019 Photos
    • 2019 Participants
    • 2019 Schedule
  • 2018
    • 2018 Artifacts
    • 2018 Photos
    • 2018 Participants
    • 2018 Schedule
  • 2017
    • 2017 Visual Artifacts
    • 2017 Participants
    • 2017 Photos
    • 2017 Schedule
  • 2016
    • 2016 Visual Artifacts
    • 2016 Participants
    • 2016 Pictures
    • 2016 Schedule
  • 2015
    • 2015 Visual Artifacts
    • Participants 2015
    • Schedule 2015
  • 2014
    • 2014 Visual Artifacts
    • 2014 Participants
    • 2014 Schedule
  • 2013
    • 2013 Visual Artifacts
    • 2013 participants
    • 2013 schedule
  • 2012
    • 2012 participants
    • 2012 schedule
  • 2011
    • 2011 participants
    • 2011 Schedule
  • 2010
    • 2010 Participants
    • 2010 schedule
  • 2009
    • 2009 Participants
    • 2009 Schedule
  • 2008
    • 2008 Participants
    • 2008 Schedule
  • 2007
    • 2007 Participants
    • 2007 Schedule
  • 2006
    • 2006 Participants
    • 2006 Schedule
  • 2005
    • 2005 Participants
    • 2005 Schedule
  • 2004
    • 2004 Participants
    • 2004 Schedule
  • 2003
    • 2003 Participants
    • 2003 Schedule
  • 2002
  • 2001
  • 2000
  • 1999
The New East Cinema Symposium is brought to you in part by the generosity of the following sponsors:
University of Pittsburgh seal

Funding for the New East Cinema Symposium was provided by the A.W. Mellon Educational and Charitable Trust Fund of The Pittsburgh Foundation.

Additional funding was provided by The Office of the Dean, Arts and Sciences | Center for Russian, East European, and Eurasian Studies | The Humanities Center | University Center for International Studies | Department of Slavic Languages and Literatures | Film and Media Studies Program | Graduate Program for Cultural Studies.

On behalf of the organizers, participants, and everyone that the New East Cinema Symposium reaches we thank each of our sponsors for their support.

All content is © 1999 - 2022 New East Cinema Symposium unless otherwise noted. Still photographs, audio, or video clips are © their respective owners.

Website design by Orkoskey & Assoc.

  • Home
  • Schedule
  • Participants
  • Resources
    • Pitt’s Russian and East European Film Collection
    • Bibliography
  • Past Symposia
    • Symposium Artifacts
    • 2020 – current
      • 2021 Representation and the Reel
    • 2015 – 2019
      • 2019 Shadow Empire
      • 2018 A Spectre is Haunting Russia
      • 2017 Kino-Ivory
      • 2016 Recycle, Restate, Rewind
      • 2015 Red Empire Reloaded
    • 2010 – 2014
      • 2014 Gendering Genre
      • 2013 Re-Imagining Class: Recent Russian Cinema
      • 2012 Camp Cinema: Russian Style
      • 2011 Other Russias Russia’s Others
      • 2010 From Art-House to Cine-Plex
    • 2005 – 2009
      • 2009 The New Positive Hero
      • 2008 The Ideological Occult
      • 2007 Melodrama and Kino-Ideology
      • 2006 White Russian – Black Russian
      • 2005 Yellow House
    • 1999 – 2004
      • 2004 Prophets and Gain
      • 2003 Arrogance & Envy
      • 2002 Global Amnesia and Imperial Fatigue
      • 2001 Evropsk, Russia: Out of European Order
      • 2000 Nation, Fetish, Identity
      • 1999 New Russia New Cinema