Daniel Morgan is Associate Professor in the Department of Cinema and Media Studies at the University of Chicago. His first book, Late Godard and the Possibilities of Cinema, was published in 2012, and he is author of a number of articles on topics in the history of film theory, problems of film aesthetics, and nonfiction film.

Victoria Belopolskaya began to work as a film critic for leading Russian medias after graduating from Moscow State University (Faculty of Journalism) in 1986,. Over the years she has published more than 300 pieces on different genres in the Russian press. She is currently a staff film observer for the Russian edition of Psychologies, a monthly publication. In addition to …

Anzhelika Artyukh lives in Saint-Petersburg, Russia.  She graduated from The State Academy of Theater as well as the Russian Institute of Art History (Department of Cultural Studies).  She has been working as a film critic since 1994.  Her articles have been published in several Russian professional film journals, including Iskusstvo kino, Seans, Kinovedcheskie zapiski, Film Comment, OpenSpace, Imago, and Kommersant”—Vlast’. …

Kiun Hwang holds a B.A. in Russian language and literature from Yonsei University in Seoul (2005) and an M.A. in Russian language and literature from Yonsei University in Seoul (2008). She is currently writing the Ph.D dissertation about transformations of St. Petersburg’s urban landscape and its representations with a focus on the search for a new post-Soviet identity at University of Pittsburgh in …

Slavic Department; Director of Global Studies (Title VI NRC). Publications include The Imperial Trace: Recent Russian Cinema (Oxford, 2009); Antimonies of Art and Culture: Modernity, Postmodernity, Contemporaneity, co-edited with Terry Smith and Okwui Enwezor (Duke, 2008); Endquote: Sots-Art Literature and Soviet Grand Style, co-edited with Marina Balina and Evgeny Dobrenko (Northwestern UP, 2000); Soviet Hieroglyphics: Visual Culture in Late 20c. Russia, ed. (BFI/Indiana UP, 1995). …