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Turkmenistan. 1992. 88 min. Color
Russian, German, and Turkmen with English subtitles
Directed: Usman Saparov
Written: Liudmila Papilova and Usman Saparov
Camera: Vladislav Shinkin
Art direction: Orazmurad Annakhalov. Music: Dmitrii Rybnikov
Edited: Alla Niiazova and Liubov' Butuzova
With Vova Frank, Tania Shraiber, Sasha Shraiber, and Agamurad Dzhanmukhamedov
One such child, Georg, climbs a tree and builds a miniature nest in hope that a "little angel" will provide for him, as promised in a traditional German Easter song: "Little angel, bring me joy, give me something good to eat so I might fly into the sky with you." Georg's companion is a Turkmen boy named Orazka, who has no concept of death and so greets news of funerals with joy, since they are preceded by wakes at which everyone eats. Orazka invites Georg to the Turkmen village to partake in a funeral feast, but the village is separated from the German settlement by a rickety bridge over a swift river. With his bowl in his teeth, Georg crawls across the bridge and reaches the Turkmen village…
The filmmakers' use of images is amazing: two distinct worlds in one place. On one side of the river are whitewashed German houses, on the other, Turkmen yurts, horse posts, and temporary livestock corrals. The camera seems to breathe as it moves from one landscape to the next. The only ones for whom there are no boundaries are the children…
Saparov's historical narrative touches on one of the most complex questions for the modern "little person," the question of "motherland": "what does Turkmenistan mean to the Germans, and what do the Germans mean to Turkmenistan?"… The little German boy represents the image of the non-Asian in Asia…. Multi-ethnic Central Asia has always been a "cauldron of peoples" in which old ethic groups disappear and new ones arise. For centuries, different tribes, nationalities, and races have lived side by side, to the mutual enrichment of all. Saparov's film depicts two such peoples, profoundly different in culture and worldview, but nevertheless mutually tolerant and beneficial to one another; the director underscores the point that it is politics that drives people apart…
...If I had to name the ten best films of all time, world-wide, Sarapov's Little Angel, Bring Me Joy would without a doubt be on the list.
-- Gul'nara Abikeeva, Kino tsentral'noi Azii (Almaty, 2001), 164-66.
Usman Saparov was born in 1938. He trained as a camera operator at the All-Union State Filmmaking Institute (VGIK) in Moscow from 1958 to 1963. His film Little Angel, Bring Me Joy won the grand prize at the 1994 Open Russian Film Festival (Kinotavr) in Sochi and the Peace Prize at the 1993 Chicago Children's Festival, in addition to over a dozen other festival honors. In recent years he has worked mostly as a director and scriptwriter of children's films and television programs, including the Russian-language version of Sesame Street.
|1979||The Little Camel|
|1985||Adventures in the Small Islands|
|1992||Little Angel, Bring Me Joy|
|1997-2000||Sesame Street (Ulitsa sezam) (TV)|
|2000||Stairway to Heaven (TV)|